Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Lenny Kravitz
|
267,060
|
8,902
|
B
|
Low
|
2
|
Nike, Inc.
|
190,134
|
6,337
|
B
|
High
|
3
|
Terry Crews
|
167,032
|
5,567
|
C
|
Low
|
4
|
IKEA
|
166,374
|
5,545
|
C
|
Low
|
5
|
Frank Lloyd Wright
|
115,001
|
3,833
|
B
|
High
|
6
|
Video game
|
113,678
|
3,789
|
B
|
Top
|
7
|
Skeuomorph
|
106,322
|
3,544
|
Start
|
Mid
|
8
|
Volkswagen Beetle
|
89,071
|
2,969
|
B
|
Mid
|
9
|
Bauhaus
|
66,244
|
2,208
|
B
|
High
|
10
|
IPod
|
65,720
|
2,190
|
B
|
Mid
|
11
|
Ford Model T
|
56,733
|
1,891
|
B
|
Mid
|
12
|
Qantas
|
52,376
|
1,745
|
B
|
Mid
|
13
|
Harley-Davidson
|
49,681
|
1,656
|
B
|
Mid
|
14
|
Mini
|
49,320
|
1,644
|
C
|
Mid
|
15
|
Jeep
|
48,390
|
1,613
|
B
|
Mid
|
16
|
Virgil Abloh
|
46,661
|
1,555
|
C
|
Low
|
17
|
William Morris
|
38,883
|
1,296
|
GA
|
Mid
|
18
|
Le Corbusier
|
36,940
|
1,231
|
C
|
High
|
19
|
Tinkercad
|
36,847
|
1,228
|
Start
|
Mid
|
20
|
Mac (computer)
|
35,492
|
1,183
|
GA
|
High
|
21
|
Design
|
34,788
|
1,159
|
C
|
High
|
22
|
Product (business)
|
34,522
|
1,150
|
Start
|
Mid
|
23
|
Computer-aided design
|
29,304
|
976
|
C
|
Mid
|
24
|
Jony Ive
|
25,802
|
860
|
B
|
High
|
25
|
Moka pot
|
25,490
|
849
|
C
|
Low
|
26
|
Frank Gehry
|
24,924
|
830
|
B
|
Low
|
27
|
Buckminster Fuller
|
24,174
|
805
|
C
|
High
|
28
|
Porsche 356
|
24,016
|
800
|
B
|
Low
|
29
|
James Dyson
|
23,932
|
797
|
B
|
Mid
|
30
|
Building information modeling
|
23,289
|
776
|
C
|
Low
|
31
|
Citroën 2CV
|
22,947
|
764
|
B
|
Mid
|
32
|
Apple I
|
22,844
|
761
|
C
|
Low
|
33
|
Citroën DS
|
22,692
|
756
|
C
|
Mid
|
34
|
Walkman
|
22,619
|
753
|
C
|
Mid
|
35
|
Ludwig Mies van der Rohe
|
22,515
|
750
|
C
|
Mid
|
36
|
Carpentry
|
22,493
|
749
|
C
|
Mid
|
37
|
List of countries with IKEA stores
|
21,140
|
704
|
List
|
Low
|
38
|
Duct tape
|
21,094
|
703
|
Start
|
Unknown
|
39
|
Tetra Pak
|
19,747
|
658
|
C
|
Low
|
40
|
Teenage Engineering
|
19,291
|
643
|
Start
|
Unknown
|
41
|
Plastic pollution
|
19,215
|
640
|
B
|
Low
|
42
|
Injection moulding
|
18,797
|
626
|
GA
|
Mid
|
43
|
Isamu Noguchi
|
18,788
|
626
|
C
|
Mid
|
44
|
Neri Oxman
|
18,410
|
613
|
GA
|
Mid
|
45
|
IMac G3
|
16,911
|
563
|
GA
|
Mid
|
46
|
Lazy Susan
|
16,677
|
555
|
Start
|
Low
|
47
|
Bic Cristal
|
16,602
|
553
|
GA
|
Mid
|
48
|
Ergonomics
|
16,551
|
551
|
C
|
Unknown
|
49
|
Ingvar Kamprad
|
15,942
|
531
|
C
|
Mid
|
50
|
Streamline Moderne
|
15,335
|
511
|
C
|
Top
|
51
|
Eero Saarinen
|
14,929
|
497
|
C
|
Mid
|
52
|
Stock keeping unit
|
14,794
|
493
|
Stub
|
Mid
|
53
|
IPod Shuffle
|
14,513
|
483
|
B
|
Mid
|
54
|
SolidWorks
|
14,226
|
474
|
Start
|
Low
|
55
|
Prototype
|
13,539
|
451
|
Start
|
Low
|
56
|
Giorgetto Giugiaro
|
12,819
|
427
|
Start
|
Low
|
57
|
Franz von Holzhausen
|
12,674
|
422
|
C
|
Low
|
58
|
Packaging
|
12,364
|
412
|
B
|
High
|
59
|
ID
|
12,297
|
409
|
Disambig
|
NA
|
60
|
Futon
|
12,267
|
408
|
Start
|
Low
|
61
|
Proof of concept
|
11,769
|
392
|
Start
|
High
|
62
|
Anthropometry
|
11,639
|
387
|
C
|
Low
|
63
|
Design thinking
|
11,629
|
387
|
C
|
High
|
64
|
Industrial design
|
11,620
|
387
|
C
|
Top
|
65
|
Herman Miller
|
11,358
|
378
|
B
|
High
|
66
|
Furniture
|
11,357
|
378
|
C
|
Low
|
67
|
Aeolipile
|
11,269
|
375
|
C
|
Low
|
68
|
Parsons School of Design
|
11,239
|
374
|
C
|
Low
|
69
|
Gaetano Pesce
|
11,060
|
368
|
B
|
Mid
|
70
|
Charles Rennie Mackintosh
|
10,877
|
362
|
B
|
High
|
71
|
List of commercial failures in video games
|
10,276
|
342
|
List
|
Low
|
72
|
Memphis Group
|
10,214
|
340
|
C
|
Mid
|
73
|
Zippo
|
10,063
|
335
|
Start
|
Low
|
74
|
Eames Lounge Chair
|
10,060
|
335
|
Start
|
Mid
|
75
|
Mass production
|
10,047
|
334
|
C
|
Low
|
76
|
Upholstery
|
9,942
|
331
|
Start
|
Mid
|
77
|
Form follows function
|
9,768
|
325
|
C
|
Low
|
78
|
Charles and Ray Eames
|
9,718
|
323
|
C
|
High
|
79
|
Dieter Rams
|
9,705
|
323
|
B
|
High
|
80
|
Serial number
|
9,565
|
318
|
Start
|
Mid
|
81
|
Muji
|
9,106
|
303
|
Start
|
Low
|
82
|
FreeCAD
|
9,086
|
302
|
C
|
High
|
83
|
Fiat 600
|
8,776
|
292
|
C
|
Low
|
84
|
Paper clip
|
8,741
|
291
|
C
|
Low
|
85
|
Form factor (mobile phones)
|
8,307
|
276
|
Stub
|
Low
|
86
|
Braun (company)
|
8,215
|
273
|
C
|
High
|
87
|
FIRST Championship
|
8,174
|
272
|
Start
|
Low
|
88
|
Alvar Aalto
|
8,035
|
267
|
C
|
Low
|
89
|
Electric aircraft
|
7,973
|
265
|
C
|
Low
|
90
|
Gaffer tape
|
7,971
|
265
|
Start
|
High
|
91
|
Engineering design process
|
7,951
|
265
|
Start
|
High
|
92
|
Deck (ship)
|
7,923
|
264
|
Start
|
Unknown
|
93
|
Mini Moke
|
7,791
|
259
|
B
|
Low
|
94
|
Parker Pen Company
|
7,773
|
259
|
C
|
Low
|
95
|
Arcade cabinet
|
7,760
|
258
|
C
|
Unknown
|
96
|
Gottlieb Daimler
|
7,665
|
255
|
B
|
Mid
|
97
|
Product lifecycle
|
7,591
|
253
|
Start
|
Low
|
98
|
Airline seat
|
7,581
|
252
|
Start
|
Low
|
99
|
Upcycling
|
7,557
|
251
|
C
|
Low
|
100
|
Commodore PET
|
7,533
|
251
|
C
|
Low
|
101
|
Biophilic design
|
7,500
|
250
|
C
|
Low
|
102
|
Motherboard form factor
|
7,331
|
244
|
C
|
Unknown
|
103
|
Rolodex
|
7,296
|
243
|
C
|
Low
|
104
|
Masking tape
|
7,292
|
243
|
Start
|
Low
|
105
|
Game design
|
7,169
|
238
|
C
|
Low
|
106
|
MSCHF
|
7,063
|
235
|
Start
|
Low
|
107
|
Venetian Arsenal
|
6,943
|
231
|
B
|
Low
|
108
|
Designer
|
6,916
|
230
|
Start
|
Unknown
|
109
|
Blohm+Voss
|
6,724
|
224
|
Start
|
High
|
110
|
Raymond Loewy
|
6,677
|
222
|
B
|
High
|
111
|
Breville Group
|
6,660
|
222
|
Start
|
Low
|
112
|
Memory foam
|
6,652
|
221
|
Start
|
Low
|
113
|
Norman Bel Geddes
|
6,647
|
221
|
Start
|
Low
|
114
|
Tefal
|
6,616
|
220
|
Start
|
Low
|
115
|
Carton
|
6,579
|
219
|
Start
|
Low
|
116
|
Clive Sinclair
|
6,578
|
219
|
B
|
Low
|
117
|
Gruppo Bertone
|
6,464
|
215
|
C
|
Unknown
|
118
|
Speed tape
|
6,402
|
213
|
Start
|
Mid
|
119
|
Scotch Tape
|
6,386
|
212
|
C
|
Unknown
|
120
|
Tiffany lamp
|
6,315
|
210
|
Start
|
Mid
|
121
|
Spork
|
6,237
|
207
|
B
|
Low
|
122
|
IBM Selectric
|
6,232
|
207
|
B
|
Mid
|
123
|
Throne
|
6,152
|
205
|
C
|
Low
|
124
|
Atomic Age (design)
|
6,137
|
204
|
C
|
Mid
|
125
|
Philippe Starck
|
6,131
|
204
|
C
|
Mid
|
126
|
Discman
|
6,067
|
202
|
C
|
Low
|
127
|
Automotive design
|
5,921
|
197
|
C
|
Mid
|
128
|
New product development
|
5,910
|
197
|
Start
|
High
|
129
|
Cigarette pack
|
5,906
|
196
|
Start
|
Low
|
130
|
ArtCenter College of Design
|
5,880
|
196
|
Start
|
Low
|
131
|
Motorola MicroTAC
|
5,811
|
193
|
C
|
Low
|
132
|
3D scanning
|
5,789
|
192
|
C
|
Mid
|
133
|
Adirondack chair
|
5,788
|
192
|
Start
|
Low
|
134
|
Chintz
|
5,722
|
190
|
Start
|
Low
|
135
|
Marcel Breuer
|
5,553
|
185
|
B
|
Mid
|
136
|
Reebok Pump
|
5,376
|
179
|
Stub
|
Low
|
137
|
List of Harley-Davidson motorcycles
|
5,218
|
173
|
List
|
Low
|
138
|
Rhinoceros 3D
|
5,168
|
172
|
Start
|
Low
|
139
|
Product design
|
5,147
|
171
|
Start
|
High
|
140
|
Olivetti
|
5,145
|
171
|
C
|
Low
|
141
|
Hoosier cabinet
|
5,094
|
169
|
GA
|
Low
|
142
|
Bedding
|
5,036
|
167
|
C
|
Unknown
|
143
|
Sergio Pininfarina
|
4,946
|
164
|
Start
|
Mid
|
144
|
Human-centered design
|
4,915
|
163
|
C
|
High
|
145
|
Concept art
|
4,891
|
163
|
Start
|
Low
|
146
|
Monobloc (chair)
|
4,873
|
162
|
Start
|
Low
|
147
|
Cradle-to-cradle design
|
4,824
|
160
|
Start
|
Low
|
148
|
Bubble wrap
|
4,816
|
160
|
Start
|
Mid
|
149
|
Laura Ashley
|
4,772
|
159
|
C
|
Mid
|
150
|
Fiskars
|
4,761
|
158
|
Start
|
Low
|
151
|
Universal design
|
4,753
|
158
|
Start
|
Mid
|
152
|
Aerospike engine
|
4,633
|
154
|
C
|
Low
|
153
|
Sellotape
|
4,629
|
154
|
Start
|
Low
|
154
|
Jacque Fresco
|
4,594
|
153
|
C
|
Low
|
155
|
Ferdinand Alexander Porsche
|
4,577
|
152
|
Start
|
Low
|
156
|
Wassily Chair
|
4,551
|
151
|
Start
|
Mid
|
157
|
Apple IIc
|
4,541
|
151
|
C
|
Mid
|
158
|
Electrical tape
|
4,538
|
151
|
Start
|
Low
|
159
|
Design engineer
|
4,519
|
150
|
Start
|
High
|
160
|
Robert Adam
|
4,418
|
147
|
B
|
Mid
|
161
|
Aveva
|
4,415
|
147
|
Stub
|
Low
|
162
|
The Design of Everyday Things
|
4,365
|
145
|
Start
|
Low
|
163
|
Flat design
|
4,341
|
144
|
Start
|
Low
|
164
|
William Kent
|
4,314
|
143
|
B
|
Low
|
165
|
List of Polaroid instant cameras
|
4,304
|
143
|
List
|
Low
|
166
|
Pilot experiment
|
4,278
|
142
|
Start
|
Low
|
167
|
Terence Conran
|
4,210
|
140
|
C
|
Low
|
168
|
Michael Graves
|
4,205
|
140
|
C
|
Low
|
169
|
Milan Furniture Fair
|
4,173
|
139
|
B
|
Mid
|
170
|
Syd Mead
|
4,154
|
138
|
C
|
Mid
|
171
|
Powertrain layout
|
4,146
|
138
|
C
|
Low
|
172
|
Comparison of computer-aided design software
|
4,095
|
136
|
List
|
Low
|
173
|
Melamine resin
|
3,958
|
131
|
Start
|
Low
|
174
|
Ettore Sottsass
|
3,945
|
131
|
C
|
High
|
175
|
Comforter
|
3,919
|
130
|
Start
|
Unknown
|
176
|
Red Dot
|
3,873
|
129
|
C
|
Low
|
177
|
La-Z-Boy
|
3,814
|
127
|
Start
|
Low
|
178
|
Sigvard Bernadotte
|
3,766
|
125
|
Start
|
Low
|
179
|
Carlo Scarpa
|
3,669
|
122
|
C
|
Mid
|
180
|
Countertop
|
3,637
|
121
|
Unknown
|
Unknown
|
181
|
Aeron chair
|
3,608
|
120
|
Stub
|
Mid
|
182
|
Steelcase
|
3,607
|
120
|
B
|
Mid
|
183
|
Barcelona chair
|
3,601
|
120
|
Start
|
Mid
|
184
|
Clamshell design
|
3,548
|
118
|
Start
|
Low
|
185
|
List of chairs
|
3,534
|
117
|
List
|
Mid
|
186
|
Eileen Gray
|
3,508
|
116
|
B
|
Low
|
187
|
Interaction design
|
3,390
|
113
|
Start
|
Mid
|
188
|
SolidThinking
|
3,381
|
112
|
Stub
|
Low
|
189
|
Tatra 603
|
3,324
|
110
|
C
|
Low
|
190
|
Motorola ROKR
|
3,323
|
110
|
Start
|
Unknown
|
191
|
IDEO
|
3,267
|
108
|
Start
|
High
|
192
|
Brompton Bicycle
|
3,229
|
107
|
C
|
Low
|
193
|
Massimo Vignelli
|
3,209
|
106
|
C
|
Low
|
194
|
Sketchpad
|
3,137
|
104
|
Start
|
Low
|
195
|
Charles Eames
|
3,117
|
103
|
Start
|
Unknown
|
196
|
Alec Issigonis
|
3,026
|
100
|
C
|
Low
|
197
|
Privacy by design
|
2,944
|
98
|
C
|
Low
|
198
|
Staffordshire Potteries
|
2,907
|
96
|
Start
|
Mid
|
199
|
Binder clip
|
2,877
|
95
|
C
|
Low
|
200
|
Design by committee
|
2,867
|
95
|
Start
|
Unknown
|
201
|
Creative Zen
|
2,849
|
94
|
B
|
Low
|
202
|
99% Invisible
|
2,846
|
94
|
C
|
Mid
|
203
|
Interactivity
|
2,834
|
94
|
Start
|
Low
|
204
|
BIC lighter
|
2,829
|
94
|
Start
|
Low
|
205
|
Gerrit Rietveld
|
2,828
|
94
|
C
|
High
|
206
|
George Nakashima
|
2,824
|
94
|
B
|
Mid
|
207
|
Boundary representation
|
2,809
|
93
|
Stub
|
Low
|
208
|
Enzo Mari
|
2,763
|
92
|
Start
|
Mid
|
209
|
Royal Designers for Industry
|
2,745
|
91
|
Start
|
Low
|
210
|
M+
|
2,694
|
89
|
B
|
Low
|
211
|
Peter Behrens
|
2,683
|
89
|
Start
|
High
|
212
|
OpenSCAD
|
2,680
|
89
|
Stub
|
Low
|
213
|
Label
|
2,663
|
88
|
C
|
Mid
|
214
|
Porsche Design
|
2,663
|
88
|
Start
|
Low
|
215
|
IO-Link
|
2,660
|
88
|
Start
|
Unknown
|
216
|
De facto standard
|
2,635
|
87
|
Start
|
High
|
217
|
Lenox (company)
|
2,609
|
86
|
C
|
Mid
|
218
|
Arne Jacobsen
|
2,561
|
85
|
B
|
High
|
219
|
Marc Newson
|
2,476
|
82
|
B
|
High
|
220
|
Parasolid
|
2,444
|
81
|
Stub
|
Low
|
221
|
Knoll, Inc.
|
2,420
|
80
|
C
|
High
|
222
|
Flavio Manzoni
|
2,414
|
80
|
C
|
Mid
|
223
|
Personalization
|
2,404
|
80
|
Start
|
Mid
|
224
|
Design for manufacturability
|
2,385
|
79
|
Start
|
Low
|
225
|
Frog Design
|
2,380
|
79
|
Start
|
High
|
226
|
Trade dress
|
2,374
|
79
|
Start
|
Mid
|
227
|
Moke (revival)
|
2,347
|
78
|
B
|
Low
|
228
|
Kitchen cabinet
|
2,341
|
78
|
Start
|
Low
|
229
|
Design language
|
2,339
|
77
|
Stub
|
Low
|
230
|
Nikon F4
|
2,320
|
77
|
Start
|
Low
|
231
|
International Exhibition of Modern Decorative and Industrial Arts
|
2,295
|
76
|
C
|
Unknown
|
232
|
Soybean car
|
2,294
|
76
|
Start
|
Low
|
233
|
KEF
|
2,281
|
76
|
C
|
Low
|
234
|
Solid modeling
|
2,268
|
75
|
Start
|
Low
|
235
|
Ready-to-assemble furniture
|
2,252
|
75
|
Start
|
Mid
|
236
|
Muntzing
|
2,181
|
72
|
Stub
|
High
|
237
|
Sleep pod
|
2,179
|
72
|
Unknown
|
Unknown
|
238
|
Tulip chair
|
2,173
|
72
|
Start
|
Low
|
239
|
Design Museum
|
2,115
|
70
|
Start
|
Mid
|
240
|
Margaret Calvert
|
2,110
|
70
|
Start
|
Low
|
241
|
Karim Rashid
|
2,096
|
69
|
B
|
Low
|
242
|
Banker's lamp
|
2,088
|
69
|
Start
|
Mid
|
243
|
Ashtray
|
2,070
|
69
|
Start
|
Low
|
244
|
History of CAD software
|
2,068
|
68
|
Start
|
Low
|
245
|
Hans Wegner
|
2,059
|
68
|
B
|
Low
|
246
|
Alex Tremulis
|
2,018
|
67
|
Start
|
Low
|
247
|
Sony Watchman
|
2,006
|
66
|
Start
|
Low
|
248
|
Design and Technology
|
1,999
|
66
|
Stub
|
Low
|
249
|
Henry Dreyfuss
|
1,992
|
66
|
Start
|
Low
|
250
|
Edgar Kaufmann Jr.
|
1,978
|
65
|
Stub
|
Low
|
251
|
Suzuki Alto Lapin
|
1,974
|
65
|
Start
|
Low
|
252
|
Land Camera
|
1,946
|
64
|
Start
|
Low
|
253
|
Vitra (furniture)
|
1,946
|
64
|
Start
|
Low
|
254
|
Gustav Stickley
|
1,938
|
64
|
Start
|
Low
|
255
|
Coso artifact
|
1,934
|
64
|
Start
|
Low
|
256
|
Gio Ponti
|
1,920
|
64
|
Start
|
Mid
|
257
|
Juicy Salif
|
1,911
|
63
|
Start
|
Mid
|
258
|
Sam Maloof
|
1,892
|
63
|
Start
|
Low
|
259
|
Kenneth Grange
|
1,878
|
62
|
Start
|
Mid
|
260
|
Design for X
|
1,869
|
62
|
Start
|
Mid
|
261
|
Charlotte Perriand
|
1,867
|
62
|
C
|
Low
|
262
|
Verner Panton
|
1,838
|
61
|
Start
|
Low
|
263
|
IGES
|
1,821
|
60
|
Start
|
Low
|
264
|
Barcalounger
|
1,815
|
60
|
Stub
|
Low
|
265
|
Design methods
|
1,788
|
59
|
C
|
High
|
266
|
No. 14 chair
|
1,786
|
59
|
Start
|
Low
|
267
|
Bruno Munari
|
1,785
|
59
|
C
|
Mid
|
268
|
Balustrade
|
1,770
|
59
|
Redirect
|
NA
|
269
|
Piet Hein (scientist)
|
1,766
|
58
|
Start
|
Low
|
270
|
Pete Brock
|
1,763
|
58
|
Start
|
Low
|
271
|
Sheaffer
|
1,746
|
58
|
Start
|
Low
|
272
|
Design system
|
1,738
|
57
|
Unknown
|
Unknown
|
273
|
Tetra Brik
|
1,729
|
57
|
Start
|
Low
|
274
|
Afzal Kahn (automotive designer)
|
1,710
|
57
|
Start
|
Low
|
275
|
Deutscher Werkbund
|
1,693
|
56
|
Start
|
Low
|
276
|
Chief design officer
|
1,689
|
56
|
Start
|
Mid
|
277
|
Bench (furniture)
|
1,686
|
56
|
Start
|
Unknown
|
278
|
Red and Blue Chair
|
1,684
|
56
|
Stub
|
Low
|
279
|
Coke bottle styling
|
1,676
|
55
|
C
|
Mid
|
280
|
Electric blanket
|
1,672
|
55
|
C
|
Low
|
281
|
George Nelson (designer)
|
1,671
|
55
|
C
|
Mid
|
282
|
Damro
|
1,666
|
55
|
Start
|
Low
|
283
|
Design patent
|
1,653
|
55
|
Start
|
High
|
284
|
Display case
|
1,649
|
54
|
Start
|
Low
|
285
|
Bean bag chair
|
1,639
|
54
|
Start
|
Mid
|
286
|
Florence Knoll
|
1,619
|
53
|
B
|
Low
|
287
|
Cesca chair
|
1,598
|
53
|
Stub
|
Low
|
288
|
AutoLISP
|
1,586
|
52
|
Start
|
Low
|
289
|
IKEA Billy
|
1,579
|
52
|
Start
|
Low
|
290
|
Robert Thompson (designer)
|
1,558
|
51
|
Stub
|
Low
|
291
|
Video games in the United Kingdom
|
1,543
|
51
|
B
|
Low
|
292
|
Quink
|
1,524
|
50
|
Stub
|
Low
|
293
|
Michael Thonet
|
1,517
|
50
|
Start
|
Low
|
294
|
Air-augmented rocket
|
1,510
|
50
|
C
|
Low
|
295
|
Corrugated box design
|
1,503
|
50
|
C
|
Mid
|
296
|
Self-amalgamating tape
|
1,500
|
50
|
Stub
|
Low
|
297
|
Marcel Janco
|
1,496
|
49
|
B
|
Low
|
298
|
Luigi Colani
|
1,481
|
49
|
C
|
Low
|
299
|
Samuel Ross
|
1,479
|
49
|
C
|
Low
|
300
|
JT (visualization format)
|
1,448
|
48
|
Start
|
Low
|
301
|
Apple Design Awards
|
1,438
|
47
|
Start
|
Mid
|
302
|
La Rinascente
|
1,437
|
47
|
C
|
Low
|
303
|
Yinka Ilori
|
1,437
|
47
|
B
|
Low
|
304
|
Industrial design right
|
1,434
|
47
|
Start
|
Mid
|
305
|
Human factors and ergonomics
|
1,432
|
47
|
Redirect
|
High
|
306
|
Alfonso Bialetti
|
1,403
|
46
|
Stub
|
Low
|
307
|
Geometric design
|
1,402
|
46
|
Start
|
Low
|
308
|
Preferred number
|
1,400
|
46
|
Start
|
Low
|
309
|
E. Fay Jones
|
1,396
|
46
|
Start
|
Low
|
310
|
History of anthropometry
|
1,380
|
46
|
C
|
Low
|
311
|
Yves Béhar
|
1,376
|
45
|
Start
|
Low
|
312
|
Anglepoise lamp
|
1,371
|
45
|
Start
|
Low
|
313
|
Chest (furniture)
|
1,369
|
45
|
Start
|
Unknown
|
314
|
Jean-Michel Frank
|
1,363
|
45
|
Start
|
Mid
|
315
|
ACIS
|
1,359
|
45
|
Start
|
Low
|
316
|
Prime Computer
|
1,359
|
45
|
Start
|
Low
|
317
|
List of adhesive tapes
|
1,359
|
45
|
List
|
Low
|
318
|
Handle
|
1,343
|
44
|
Start
|
Low
|
319
|
List of Motorola V series phones
|
1,341
|
44
|
List
|
Low
|
320
|
David M. Kelley
|
1,330
|
44
|
Start
|
High
|
321
|
Photographic lens design
|
1,326
|
44
|
Start
|
Low
|
322
|
Crippleware
|
1,297
|
43
|
Start
|
Low
|
323
|
ShotGrid
|
1,282
|
42
|
Stub
|
Unknown
|
324
|
Virtual actor
|
1,276
|
42
|
Start
|
Low
|
325
|
Snow White design language
|
1,269
|
42
|
C
|
Low
|
326
|
Brooks Stevens
|
1,264
|
42
|
Start
|
Low
|
327
|
Tapio Wirkkala
|
1,264
|
42
|
Start
|
Mid
|
328
|
Modern furniture
|
1,255
|
41
|
Stub
|
Low
|
329
|
Model-based definition
|
1,251
|
41
|
Stub
|
Low
|
330
|
IF Product Design Award
|
1,250
|
41
|
Start
|
Mid
|
331
|
Ron Arad (industrial designer)
|
1,246
|
41
|
C
|
Low
|
332
|
Olivetti Valentine
|
1,240
|
41
|
B
|
Mid
|
333
|
Design history
|
1,233
|
41
|
Start
|
Mid
|
334
|
Marshmallow sofa
|
1,226
|
40
|
Start
|
Unknown
|
335
|
Package cushioning
|
1,221
|
40
|
C
|
Unknown
|
336
|
John Hoke III
|
1,221
|
40
|
C
|
Mid
|
337
|
Programma 101
|
1,215
|
40
|
C
|
Low
|
338
|
Lilly Reich
|
1,213
|
40
|
C
|
Mid
|
339
|
Nameplate
|
1,210
|
40
|
Start
|
Mid
|
340
|
CAD standards
|
1,195
|
39
|
Start
|
Low
|
341
|
LoveSac
|
1,195
|
39
|
Stub
|
Low
|
342
|
Iittala
|
1,193
|
39
|
C
|
Low
|
343
|
Xerox 914
|
1,171
|
39
|
Stub
|
Low
|
344
|
Christopher Dresser
|
1,167
|
38
|
Start
|
High
|
345
|
Trevor Baylis
|
1,163
|
38
|
C
|
Low
|
346
|
André-Charles Boulle
|
1,160
|
38
|
C
|
Low
|
347
|
Apple Industrial Design Group
|
1,158
|
38
|
Start
|
Mid
|
348
|
C. F. A. Voysey
|
1,157
|
38
|
Start
|
Low
|
349
|
Class A surface
|
1,150
|
38
|
Stub
|
Low
|
350
|
Phaidon Press
|
1,133
|
37
|
C
|
Low
|
351
|
Bubble Wrap (brand)
|
1,118
|
37
|
Start
|
Mid
|
352
|
Design management
|
1,112
|
37
|
GA
|
Top
|
353
|
Harry Bertoia
|
1,109
|
36
|
C
|
Mid
|
354
|
Coop Himmelb(l)au
|
1,104
|
36
|
Start
|
Low
|
355
|
Picnic table
|
1,101
|
36
|
Start
|
Unknown
|
356
|
Superstudio
|
1,095
|
36
|
C
|
Low
|
357
|
Gae Aulenti
|
1,094
|
36
|
C
|
Mid
|
358
|
Butterfly chair
|
1,090
|
36
|
Start
|
Mid
|
359
|
Danish modern
|
1,084
|
36
|
C
|
Mid
|
360
|
Papasan chair
|
1,079
|
35
|
Stub
|
Low
|
361
|
Trans-Oceanic
|
1,073
|
35
|
Start
|
Low
|
362
|
.3ds
|
1,066
|
35
|
Start
|
Unknown
|
363
|
Tom Dixon (industrial designer)
|
1,064
|
35
|
C
|
Mid
|
364
|
Hybrid electric aircraft
|
1,059
|
35
|
C
|
Low
|
365
|
Radiogram (device)
|
1,054
|
35
|
Start
|
Low
|
366
|
Poul Henningsen
|
1,041
|
34
|
C
|
Low
|
367
|
Victor Papanek
|
1,040
|
34
|
Start
|
Low
|
368
|
Architectural rendering
|
1,040
|
34
|
Start
|
Low
|
369
|
Ball Chair
|
1,039
|
34
|
Stub
|
Mid
|
370
|
Electronic packaging
|
1,038
|
34
|
C
|
Mid
|
371
|
Wah Chang
|
1,037
|
34
|
C
|
Low
|
372
|
Massimo Tamburini
|
1,037
|
34
|
B
|
Low
|
373
|
Design research
|
1,036
|
34
|
Stub
|
Low
|
374
|
ALCO DL-109
|
1,036
|
34
|
B
|
Mid
|
375
|
Rover JET1
|
1,025
|
34
|
Start
|
Low
|
376
|
Russel Wright
|
1,017
|
33
|
C
|
High
|
377
|
Autodesk Alias
|
1,005
|
33
|
Stub
|
Low
|
378
|
Tripp Trapp
|
999
|
33
|
Stub
|
Low
|
379
|
Eames Lounge Chair Wood
|
992
|
33
|
Stub
|
Low
|
380
|
BoConcept
|
992
|
33
|
C
|
Mid
|
381
|
Aluminum Christmas tree
|
991
|
33
|
Start
|
Low
|
382
|
Freeform surface modelling
|
988
|
32
|
Start
|
Low
|
383
|
Product innovation
|
976
|
32
|
Start
|
Unknown
|
384
|
Emotional Design
|
975
|
32
|
Stub
|
Mid
|
385
|
List of furniture designers
|
974
|
32
|
List
|
Mid
|
386
|
Egg (chair)
|
974
|
32
|
Start
|
Low
|
387
|
Paul László
|
973
|
32
|
Start
|
Low
|
388
|
Industrial style
|
963
|
32
|
Stub
|
Low
|
389
|
Eames Fiberglass Armchair
|
957
|
31
|
B
|
Mid
|
390
|
Leonardo Fioravanti (engineer)
|
954
|
31
|
Start
|
Low
|
391
|
Wishbone chair
|
953
|
31
|
Start
|
Unknown
|
392
|
Mitsubishi Model A
|
940
|
31
|
Start
|
Unknown
|
393
|
Mike Sinyard
|
935
|
31
|
Stub
|
Low
|
394
|
Joe Colombo (designer)
|
929
|
30
|
C
|
Mid
|
395
|
George Hepplewhite
|
923
|
30
|
Start
|
Low
|
396
|
Alexander Girard
|
908
|
30
|
Start
|
Low
|
397
|
Timo Sarpaneva
|
905
|
30
|
C
|
Mid
|
398
|
Design science
|
905
|
30
|
Start
|
High
|
399
|
Compasso d'Oro
|
904
|
30
|
C
|
Mid
|
400
|
Double-sided tape
|
896
|
29
|
Stub
|
Low
|
401
|
Andrew Ure
|
892
|
29
|
B
|
Low
|
402
|
Geometric modeling
|
885
|
29
|
Stub
|
Low
|
403
|
Lemon squeezer
|
883
|
29
|
Start
|
Low
|
404
|
Utility furniture
|
882
|
29
|
Start
|
Low
|
405
|
B.C. Rich Mockingbird
|
880
|
29
|
Start
|
Low
|
406
|
Eva Zeisel
|
867
|
28
|
C
|
Low
|
407
|
Émile-Jacques Ruhlmann
|
863
|
28
|
Start
|
Low
|
408
|
Globe Wernicke
|
861
|
28
|
Start
|
Low
|
409
|
Action Office
|
855
|
28
|
Start
|
Unknown
|
410
|
Eliot Noyes
|
851
|
28
|
B
|
Mid
|
411
|
Design studio
|
847
|
28
|
Start
|
Unknown
|
412
|
Danish design
|
844
|
28
|
C
|
Mid
|
413
|
Design theory
|
843
|
28
|
Start
|
Low
|
414
|
Achille Castiglioni
|
840
|
28
|
B
|
High
|
415
|
IKEA pencil
|
840
|
28
|
Stub
|
Low
|
416
|
Naoto Fukasawa
|
837
|
27
|
C
|
High
|
417
|
Carrel desk
|
834
|
27
|
Start
|
Low
|
418
|
Gebrüder Thonet
|
832
|
27
|
Stub
|
Low
|
419
|
Vox Phantom
|
831
|
27
|
Stub
|
Low
|
420
|
Design Academy Eindhoven
|
825
|
27
|
Start
|
Low
|
421
|
Ericofon
|
822
|
27
|
Start
|
Low
|
422
|
Central Institute of Tool Design
|
822
|
27
|
Start
|
Low
|
423
|
Balanced-arm lamp
|
815
|
27
|
Start
|
Low
|
424
|
Brionvega
|
813
|
27
|
B
|
Mid
|
425
|
Black & Decker DustBuster
|
812
|
27
|
Stub
|
Low
|
426
|
Paul Mayén
|
812
|
27
|
Start
|
Low
|
427
|
Design for the environment
|
811
|
27
|
C
|
Low
|
428
|
Henry Petroski
|
806
|
26
|
Start
|
Low
|
429
|
ISO 13567
|
804
|
26
|
Start
|
Low
|
430
|
Strandkorb
|
802
|
26
|
Stub
|
Low
|
431
|
Grand Confort
|
801
|
26
|
Start
|
Mid
|
432
|
Norwich University of the Arts
|
798
|
26
|
Start
|
Low
|
433
|
Lewis (lifting appliance)
|
793
|
26
|
C
|
Low
|
434
|
Marcel Wanders
|
793
|
26
|
Start
|
Low
|
435
|
Isogeometric analysis
|
788
|
26
|
Stub
|
Low
|
436
|
Combination eating utensils
|
778
|
25
|
B
|
Low
|
437
|
Retail design
|
775
|
25
|
C
|
Low
|
438
|
Paul Philippe Cret
|
774
|
25
|
Start
|
Low
|
439
|
21 21 Design Sight
|
766
|
25
|
Start
|
Low
|
440
|
Devon Motorworks
|
759
|
25
|
C
|
Low
|
441
|
IDC School of Design
|
758
|
25
|
Start
|
Mid
|
442
|
Goliath GP700
|
754
|
25
|
Start
|
Low
|
443
|
Mario Bellini
|
751
|
25
|
C
|
High
|
444
|
Lingerie tape
|
750
|
25
|
Stub
|
Low
|
445
|
Point of difference
|
749
|
24
|
Start
|
Mid
|
446
|
Philosophy of design
|
748
|
24
|
Stub
|
Unknown
|
447
|
Patricia Urquiola
|
747
|
24
|
Start
|
Low
|
448
|
Valextra
|
745
|
24
|
Start
|
Low
|
449
|
Porsche Type 12
|
743
|
24
|
C
|
Low
|
450
|
Marianne Brandt
|
737
|
24
|
C
|
Mid
|
451
|
Digital mockup
|
735
|
24
|
Stub
|
Low
|
452
|
Cantilever chair
|
731
|
24
|
Stub
|
Low
|
453
|
Functional design
|
728
|
24
|
Stub
|
Mid
|
454
|
Dezeen
|
728
|
24
|
Start
|
Low
|
455
|
Sunlounger
|
722
|
24
|
Stub
|
Low
|
456
|
Finn Juhl
|
718
|
23
|
C
|
Low
|
457
|
Vitsœ
|
717
|
23
|
Start
|
Low
|
458
|
Hartmut Esslinger
|
716
|
23
|
C
|
High
|
459
|
Strategic design
|
715
|
23
|
Start
|
High
|
460
|
Thomas Hope (designer)
|
712
|
23
|
Start
|
Low
|
461
|
B&B Italia
|
702
|
23
|
C
|
Mid
|
462
|
Emeco 1006
|
701
|
23
|
GA
|
Low
|
463
|
Waterfall furniture
|
697
|
23
|
Start
|
Low
|
464
|
Artek (company)
|
695
|
23
|
Start
|
Low
|
465
|
Kenya Hara
|
689
|
22
|
C
|
Low
|
466
|
Ford 021C
|
685
|
22
|
B
|
Low
|
467
|
Zaisu
|
679
|
22
|
Start
|
Low
|
468
|
Richard Sapper
|
679
|
22
|
B
|
High
|
469
|
Apple Inc. design motifs
|
679
|
22
|
C
|
Low
|
470
|
Brno chair
|
673
|
22
|
Stub
|
Low
|
471
|
James Krenov
|
663
|
22
|
Start
|
Low
|
472
|
David Mellor (designer)
|
662
|
22
|
Start
|
Low
|
473
|
Fabien Baron
|
662
|
22
|
Start
|
Low
|
474
|
Kartell
|
660
|
22
|
Start
|
Low
|
475
|
Behavioural design
|
657
|
21
|
C
|
High
|
476
|
Eero Aarnio
|
652
|
21
|
Start
|
Mid
|
477
|
Hatstand
|
652
|
21
|
Stub
|
Unknown
|
478
|
Le Corbusier's Furniture
|
651
|
21
|
Start
|
Mid
|
479
|
Virtual design and construction
|
646
|
21
|
Stub
|
Low
|
480
|
Vox Mark III
|
644
|
21
|
Stub
|
Low
|
481
|
Delcam
|
634
|
21
|
Stub
|
Low
|
482
|
Synthetic setae
|
629
|
20
|
B
|
Low
|
483
|
Blenko Glass Company
|
629
|
20
|
C
|
Mid
|
484
|
Lloyd Groff Copeman
|
628
|
20
|
Start
|
Low
|
485
|
Bambooworking
|
627
|
20
|
Start
|
Low
|
486
|
Clay modeling
|
626
|
20
|
Stub
|
Low
|
487
|
Green engineering
|
619
|
20
|
Unknown
|
Unknown
|
488
|
National Design Centre
|
619
|
20
|
Start
|
Low
|
489
|
Maarten Baas
|
617
|
20
|
Stub
|
Low
|
490
|
Design studies
|
614
|
20
|
C
|
Mid
|
491
|
Carlo Mollino
|
613
|
20
|
C
|
Mid
|
492
|
Jasper Morrison
|
612
|
20
|
C
|
Mid
|
493
|
Ora Ito
|
612
|
20
|
Stub
|
Low
|
494
|
Trimphone
|
610
|
20
|
Start
|
Low
|
495
|
Jonathan Glancey
|
609
|
20
|
Start
|
Low
|
496
|
Campana brothers
|
609
|
20
|
Start
|
Low
|
497
|
Dominant design
|
605
|
20
|
Start
|
High
|
498
|
Howard "Dutch" Darrin
|
604
|
20
|
Stub
|
Unknown
|
499
|
Milo Baughman
|
603
|
20
|
Start
|
Low
|
500
|
Louis Majorelle
|
601
|
20
|
C
|
Mid
|
501
|
Injection mold construction
|
597
|
19
|
Unknown
|
Unknown
|
502
|
S1 MP3 player
|
595
|
19
|
Stub
|
Low
|
503
|
WildBrain CPLG
|
594
|
19
|
Stub
|
Low
|
504
|
African Regional Intellectual Property Organization
|
592
|
19
|
Stub
|
Low
|
505
|
Thomas Sheraton
|
588
|
19
|
Stub
|
Low
|
506
|
Shiro Kuramata
|
587
|
19
|
Stub
|
Low
|
507
|
Packaging and packaging waste directive
|
586
|
19
|
Stub
|
Mid
|
508
|
Walter Dorwin Teague
|
585
|
19
|
Start
|
Low
|
509
|
Organosolv
|
580
|
19
|
C
|
Low
|
510
|
Beswick Pottery
|
579
|
19
|
Start
|
Mid
|
511
|
Clocky
|
573
|
19
|
Stub
|
Low
|
512
|
Draw sheet
|
573
|
19
|
Start
|
Low
|
513
|
Timothy Oulton
|
572
|
19
|
Stub
|
Low
|
514
|
Cassina S.p.A.
|
571
|
19
|
Start
|
Low
|
515
|
Corradino D'Ascanio
|
571
|
19
|
C
|
Low
|
516
|
Chaise Longue (Le Corbusier)
|
569
|
18
|
Stub
|
Low
|
517
|
Oki Sato
|
567
|
18
|
Start
|
Low
|
518
|
Auxiliary label
|
564
|
18
|
Start
|
Low
|
519
|
Celery vase
|
556
|
18
|
Start
|
Low
|
520
|
Beige box
|
553
|
18
|
Stub
|
Low
|
521
|
Transitional Style
|
551
|
18
|
Unknown
|
Unknown
|
522
|
Anna Maria Niemeyer
|
551
|
18
|
C
|
Mid
|
523
|
Designworks
|
549
|
18
|
Stub
|
Low
|
524
|
Ronan & Erwan Bouroullec
|
549
|
18
|
Start
|
Low
|
525
|
Tianjin University Georgia Tech Shenzhen Institute
|
549
|
18
|
Stub
|
Low
|
526
|
Sabine Marcelis
|
546
|
18
|
C
|
Mid
|
527
|
Diego Giacometti
|
540
|
18
|
Start
|
Low
|
528
|
Product structure modeling
|
539
|
17
|
Start
|
Low
|
529
|
Takeo Kikuchi
|
538
|
17
|
Stub
|
Low
|
530
|
Lean product development
|
538
|
17
|
Start
|
High
|
531
|
List of Italian designers
|
537
|
17
|
List
|
Mid
|
532
|
Mental Images
|
536
|
17
|
Stub
|
Low
|
533
|
Frank Götzke
|
535
|
17
|
C
|
Low
|
534
|
Design education
|
530
|
17
|
Stub
|
Low
|
535
|
Marva Griffin
|
523
|
17
|
C
|
Unknown
|
536
|
Design life
|
521
|
17
|
Start
|
Low
|
537
|
Productionisation
|
521
|
17
|
Stub
|
Mid
|
538
|
Friction tape
|
520
|
17
|
Stub
|
Low
|
539
|
Morag Myerscough
|
519
|
17
|
Stub
|
Low
|
540
|
Designmuseum Denmark
|
518
|
17
|
Start
|
Low
|
541
|
Model 3107 chair
|
518
|
17
|
Stub
|
Low
|
542
|
Ernest Gimson
|
514
|
17
|
Start
|
Low
|
543
|
Computer desk
|
511
|
17
|
Start
|
Low
|
544
|
List of industrial designers
|
511
|
17
|
List
|
High
|
545
|
Winged edge
|
506
|
16
|
Stub
|
Low
|
546
|
Murano Glass Museum
|
506
|
16
|
Start
|
Mid
|
547
|
Hague Agreement Concerning the International Deposit of Industrial Designs
|
503
|
16
|
Start
|
Low
|
548
|
Nendo (design firm)
|
503
|
16
|
C
|
Low
|
549
|
Product and manufacturing information
|
500
|
16
|
Stub
|
Low
|
550
|
Design Museum of Barcelona
|
499
|
16
|
C
|
Low
|
551
|
Gorilla Tape
|
496
|
16
|
Start
|
Low
|
552
|
Museum of Applied Arts (Budapest)
|
492
|
16
|
Start
|
Low
|
553
|
Robert Welch (designer)
|
491
|
16
|
Start
|
Low
|
554
|
Tom Karen
|
491
|
16
|
Start
|
Low
|
555
|
Djinn chair
|
489
|
16
|
Start
|
Mid
|
556
|
D. J. De Pree
|
487
|
16
|
Stub
|
Low
|
557
|
Chicago Athenaeum
|
486
|
16
|
Start
|
Low
|
558
|
Design Council
|
482
|
16
|
Start
|
Mid
|
559
|
Robert Propst (inventor)
|
480
|
16
|
Stub
|
Low
|
560
|
Zig-Zag Chair
|
480
|
16
|
Unknown
|
Low
|
561
|
CAD data exchange
|
479
|
15
|
Start
|
Low
|
562
|
Laurens van den Acker
|
479
|
15
|
Start
|
Low
|
563
|
Tugendhat chair
|
479
|
15
|
Stub
|
Low
|
564
|
F. Schumacher & Co.
|
477
|
15
|
Start
|
Mid
|
565
|
Piero Portaluppi
|
476
|
15
|
C
|
Low
|
566
|
The HON Company
|
475
|
15
|
Start
|
Low
|
567
|
Virtual prototyping
|
473
|
15
|
Start
|
Low
|
568
|
Metal furniture
|
470
|
15
|
Unknown
|
Unknown
|
569
|
Radical period
|
469
|
15
|
Stub
|
Mid
|
570
|
Ligne Roset
|
465
|
15
|
Stub
|
Low
|
571
|
Picquot ware
|
463
|
15
|
Stub
|
Low
|
572
|
Jean Dunand
|
462
|
15
|
Stub
|
Low
|
573
|
IKEA Klippan
|
460
|
15
|
Start
|
Low
|
574
|
Pierre Paulin
|
460
|
15
|
Start
|
Low
|
575
|
Knole Settee
|
456
|
15
|
Unknown
|
Unknown
|
576
|
Kvadrat (company)
|
456
|
15
|
Start
|
Low
|
577
|
Empathic design
|
455
|
15
|
Start
|
Mid
|
578
|
Robert Brunner
|
453
|
15
|
Start
|
Mid
|
579
|
Jock Kinneir
|
453
|
15
|
Start
|
Low
|
580
|
Bill Moggridge
|
452
|
15
|
B
|
High
|
581
|
Wendell Castle
|
452
|
15
|
C
|
Low
|
582
|
Ingo Maurer
|
452
|
15
|
B
|
Low
|
583
|
Vertical form fill sealing machine
|
451
|
15
|
Start
|
Low
|
584
|
VDA 6.1
|
450
|
15
|
Stub
|
Low
|
585
|
Knowledge-based engineering
|
448
|
14
|
Start
|
Low
|
586
|
Teak furniture
|
448
|
14
|
Start
|
Unknown
|
587
|
Solid sorbents for carbon capture
|
448
|
14
|
C
|
Unknown
|
588
|
Salamander heater
|
447
|
14
|
Stub
|
Unknown
|
589
|
PH-lamp
|
446
|
14
|
Start
|
Low
|
590
|
Director's chair
|
443
|
14
|
Stub
|
Low
|
591
|
Grillo telephone
|
438
|
14
|
Start
|
Mid
|
592
|
Robin Day (designer)
|
433
|
14
|
Stub
|
Low
|
593
|
Thomas Day (cabinetmaker)
|
430
|
14
|
Start
|
Low
|
594
|
Ant (chair)
|
429
|
14
|
Stub
|
Mid
|
595
|
Lella Vignelli
|
429
|
14
|
B
|
Mid
|
596
|
ASME Y14.41
|
428
|
14
|
Stub
|
Low
|
597
|
Matteo Thun
|
428
|
14
|
Start
|
Low
|
598
|
ANSA pre-processor
|
428
|
14
|
Stub
|
Unknown
|
599
|
Enrico Fumia
|
427
|
14
|
Start
|
Low
|
600
|
Vico Magistretti
|
417
|
13
|
B
|
Low
|
601
|
Christopher Guy Harrison
|
416
|
13
|
Stub
|
Low
|
602
|
Rick Dickinson
|
415
|
13
|
C
|
Mid
|
603
|
Antonio Citterio
|
415
|
13
|
Start
|
Mid
|
604
|
Suzie Zuzek
|
413
|
13
|
B
|
Low
|
605
|
Isovist
|
412
|
13
|
Stub
|
Low
|
606
|
Shurtape Technologies
|
405
|
13
|
C
|
Unknown
|
607
|
Wells Coates
|
404
|
13
|
C
|
Low
|
608
|
Moooi
|
403
|
13
|
B
|
Low
|
609
|
Design Research Unit
|
401
|
13
|
Stub
|
Low
|
610
|
Jens Risom
|
401
|
13
|
Start
|
Low
|
611
|
Marco Zanuso
|
399
|
13
|
C
|
Mid
|
612
|
Lucienne Day
|
399
|
13
|
Start
|
Low
|
613
|
Donald Deskey
|
395
|
13
|
Start
|
Low
|
614
|
Viktor Schreckengost
|
395
|
13
|
Start
|
Low
|
615
|
Ross Lovegrove
|
395
|
13
|
Start
|
Mid
|
616
|
Franco Albini
|
395
|
13
|
Start
|
Mid
|
617
|
Jack Lenor Larsen
|
395
|
13
|
C
|
Low
|
618
|
Neil Poulton
|
393
|
13
|
C
|
Low
|
619
|
MEDUSA
|
387
|
12
|
Unknown
|
Unknown
|
620
|
Yoichi Ochiai
|
386
|
12
|
C
|
Low
|
621
|
World Design Capital
|
384
|
12
|
Stub
|
Low
|
622
|
Thomas Hayo
|
383
|
12
|
Stub
|
Low
|
623
|
Icon design
|
382
|
12
|
Start
|
Unknown
|
624
|
ICAD (software)
|
380
|
12
|
Start
|
Low
|
625
|
Harris Lebus
|
379
|
12
|
Start
|
Low
|
626
|
Sheex
|
379
|
12
|
Start
|
Low
|
627
|
Børge Mogensen
|
377
|
12
|
Start
|
Low
|
628
|
Design paradigm
|
376
|
12
|
Start
|
Low
|
629
|
Kaare Klint
|
376
|
12
|
C
|
Mid
|
630
|
Piet Zwart
|
376
|
12
|
Start
|
Low
|
631
|
Kem Weber
|
376
|
12
|
Start
|
Low
|
632
|
Rico Daniels
|
374
|
12
|
Stub
|
Low
|
633
|
Tensor lamp
|
373
|
12
|
Start
|
Unknown
|
634
|
Drop-leaf table
|
372
|
12
|
Stub
|
Unknown
|
635
|
Subaru Suiren
|
371
|
12
|
Start
|
Unknown
|
636
|
Wilhelm Wagenfeld
|
369
|
12
|
Start
|
Low
|
637
|
Tom Hardy (designer)
|
369
|
12
|
Start
|
Low
|
638
|
Olivetti Elea
|
367
|
12
|
B
|
Low
|
639
|
Pipsan Saarinen Swanson
|
367
|
12
|
Start
|
Low
|
640
|
Swan (chair)
|
365
|
12
|
Stub
|
Mid
|
641
|
Peter Opsvik
|
365
|
12
|
C
|
Low
|
642
|
Designboom
|
365
|
12
|
Start
|
Low
|
643
|
Mart Stam
|
364
|
12
|
Start
|
Low
|
644
|
10 Downing Street Guard Chairs
|
364
|
12
|
Start
|
Low
|
645
|
Box-sealing tape
|
362
|
12
|
Start
|
Low
|
646
|
Transgenerational design
|
361
|
12
|
C
|
Mid
|
647
|
Jean-Michel Wilmotte
|
360
|
12
|
C
|
Low
|
648
|
École cantonale d'art de Lausanne
|
360
|
12
|
C
|
Mid
|
649
|
Moholy-Nagy University of Art and Design
|
359
|
11
|
Start
|
Low
|
650
|
Nebiolo Printech
|
359
|
11
|
Start
|
Low
|
651
|
Widdicomb Furniture Company
|
358
|
11
|
Start
|
Mid
|
652
|
Alphonse Chapanis
|
357
|
11
|
Start
|
Low
|
653
|
Gordon Russell (designer)
|
356
|
11
|
Start
|
Low
|
654
|
Constraint (computer-aided design)
|
356
|
11
|
Start
|
Low
|
655
|
Design museum
|
355
|
11
|
Start
|
Low
|
656
|
Simplexity
|
354
|
11
|
Start
|
Low
|
657
|
Fuseproject
|
353
|
11
|
Stub
|
Low
|
658
|
EPA WaterSense
|
351
|
11
|
Stub
|
Mid
|
659
|
Computer-automated design
|
349
|
11
|
Stub
|
Low
|
660
|
Paolo Venini
|
348
|
11
|
C
|
Low
|
661
|
William Lescaze
|
342
|
11
|
B
|
Low
|
662
|
Nina Petronzio
|
342
|
11
|
Start
|
Low
|
663
|
Charles Eastlake
|
339
|
11
|
Stub
|
Low
|
664
|
Jens Quistgaard
|
339
|
11
|
Start
|
Low
|
665
|
Herter Brothers
|
336
|
11
|
Start
|
Low
|
666
|
Andrea Branzi
|
336
|
11
|
Start
|
Unknown
|
667
|
Design classic
|
334
|
11
|
Start
|
Low
|
668
|
Sixten Sason
|
333
|
11
|
Start
|
Low
|
669
|
Josef Hartwig
|
333
|
11
|
Start
|
Low
|
670
|
Carl Hansen & Søn
|
330
|
11
|
Start
|
Unknown
|
671
|
Isophote
|
329
|
10
|
Stub
|
Unknown
|
672
|
GRAITEC
|
325
|
10
|
Start
|
Low
|
673
|
Changing table
|
324
|
10
|
Stub
|
Low
|
674
|
World Design Organization
|
324
|
10
|
Start
|
High
|
675
|
Quad-edge
|
322
|
10
|
Stub
|
Low
|
676
|
Typewriter desk
|
320
|
10
|
Unknown
|
Unknown
|
677
|
Benjamin Bowden
|
318
|
10
|
Start
|
Unknown
|
678
|
Daniel Marot
|
316
|
10
|
Start
|
Low
|
679
|
Multi-material injection molding
|
315
|
10
|
Unknown
|
Unknown
|
680
|
Gooseneck lamp
|
314
|
10
|
Stub
|
Low
|
681
|
Studio Drift
|
312
|
10
|
Start
|
Low
|
682
|
James T. Baldwin
|
310
|
10
|
Start
|
Low
|
683
|
Design for lean manufacturing
|
310
|
10
|
Start
|
Mid
|
684
|
Paul McCobb
|
309
|
10
|
C
|
Low
|
685
|
Weltron
|
306
|
10
|
C
|
Low
|
686
|
Barber Osgerby
|
305
|
10
|
C
|
Low
|
687
|
Piero Lissoni
|
305
|
10
|
Start
|
Low
|
688
|
Community design
|
304
|
10
|
Start
|
Mid
|
689
|
ADI Design Museum
|
303
|
10
|
Start
|
Mid
|
690
|
Poul Kjærholm
|
302
|
10
|
Start
|
Low
|
691
|
Maison et Objet
|
302
|
10
|
Stub
|
Low
|
692
|
Electric guitar design
|
301
|
10
|
Start
|
Low
|
693
|
Ugo Zagato
|
301
|
10
|
Start
|
Low
|
694
|
Dorothy Liebes
|
299
|
9
|
C
|
Low
|
695
|
Emilio Ambasz
|
299
|
9
|
C
|
Mid
|
696
|
Gooseneck (fixture)
|
299
|
9
|
Start
|
Low
|
697
|
Arco (lamp)
|
295
|
9
|
Start
|
High
|
698
|
Carlton House desk
|
294
|
9
|
Unknown
|
Unknown
|
699
|
Folding seat
|
293
|
9
|
Stub
|
Low
|
700
|
Filament tape
|
291
|
9
|
Start
|
Low
|
701
|
Bubble chair
|
288
|
9
|
Stub
|
Low
|
702
|
Kaj Franck
|
286
|
9
|
Start
|
Low
|
703
|
Corrugated box
|
286
|
9
|
Redirect
|
NA
|
704
|
Bruno Paul
|
285
|
9
|
Stub
|
Low
|
705
|
Paul T. Frankl
|
284
|
9
|
Start
|
Low
|
706
|
Teague (company)
|
283
|
9
|
Stub
|
Low
|
707
|
Richard Arbib
|
282
|
9
|
Start
|
Low
|
708
|
List of awards and nominations received by Jony Ive
|
282
|
9
|
List
|
Low
|
709
|
Cleo Baldon
|
281
|
9
|
Start
|
Mid
|
710
|
Bruno Mathsson
|
280
|
9
|
Start
|
Low
|
711
|
Rover chair
|
280
|
9
|
B
|
Mid
|
712
|
Marcello Nizzoli
|
279
|
9
|
Start
|
Low
|
713
|
Scoring (industrial process)
|
278
|
9
|
Unknown
|
Unknown
|
714
|
Alexander Neumeister
|
276
|
9
|
Stub
|
Low
|
715
|
Eric Stoddard
|
273
|
9
|
Stub
|
Low
|
716
|
George Sowden
|
271
|
9
|
Start
|
Low
|
717
|
Computer-aided industrial design
|
270
|
9
|
Stub
|
High
|
718
|
Forward Look
|
270
|
9
|
Redirect
|
NA
|
719
|
Systems-oriented design
|
270
|
9
|
C
|
Unknown
|
720
|
Idea (disambiguation)
|
268
|
8
|
Disambig
|
NA
|
721
|
Poggenpohl
|
268
|
8
|
Stub
|
Low
|
722
|
Adjustable Table E 1027
|
268
|
8
|
Start
|
Mid
|
723
|
Gufram
|
267
|
8
|
C
|
Mid
|
724
|
Paola Navone
|
267
|
8
|
Start
|
Unknown
|
725
|
Rolf Fehlbaum
|
266
|
8
|
C
|
Low
|
726
|
Alma Siedhoff-Buscher
|
266
|
8
|
Stub
|
Unknown
|
727
|
John Makepeace
|
265
|
8
|
Stub
|
Low
|
728
|
L. Bruce Archer
|
265
|
8
|
Start
|
Low
|
729
|
I.D. (magazine)
|
264
|
8
|
Start
|
Mid
|
730
|
Assembly modelling
|
263
|
8
|
Stub
|
Low
|
731
|
Unimark International
|
263
|
8
|
Start
|
Low
|
732
|
Natural mapping (interface design)
|
262
|
8
|
Start
|
Mid
|
733
|
Paul R. Evans
|
261
|
8
|
Start
|
Low
|
734
|
Morinosuke Kawaguchi
|
261
|
8
|
Start
|
Low
|
735
|
Hans Gugelot
|
260
|
8
|
Start
|
Low
|
736
|
David Roentgen
|
258
|
8
|
Start
|
Low
|
737
|
International Forum Design
|
256
|
8
|
Stub
|
Low
|
738
|
African design
|
256
|
8
|
Start
|
Low
|
739
|
Function-Behaviour-Structure ontology
|
253
|
8
|
C
|
Unknown
|
740
|
USM Modular Furniture
|
253
|
8
|
Start
|
Low
|
741
|
Ini Archibong
|
253
|
8
|
B
|
Mid
|
742
|
Custom-fit
|
252
|
8
|
Start
|
Mid
|
743
|
Stevengraph
|
252
|
8
|
Start
|
Mid
|
744
|
International Design Excellence Awards
|
251
|
8
|
Stub
|
Mid
|
745
|
Discbox slider
|
251
|
8
|
Unknown
|
Unknown
|
746
|
3D floor plan
|
251
|
8
|
Stub
|
Low
|
747
|
Clement Meadmore
|
248
|
8
|
C
|
Low
|
748
|
Green furniture
|
248
|
8
|
Stub
|
Low
|
749
|
Xanti Schawinsky
|
248
|
8
|
Start
|
Unknown
|
750
|
Museum of Design, Zürich
|
246
|
8
|
Start
|
Mid
|
751
|
Michael Young (industrial designer)
|
246
|
8
|
B
|
Mid
|
752
|
List of Bunnykins figurines
|
246
|
8
|
List
|
Mid
|
753
|
Extreme users
|
246
|
8
|
C
|
Mid
|
754
|
Tizio
|
245
|
8
|
Stub
|
Mid
|
755
|
Bill Stumpf
|
243
|
8
|
Start
|
Low
|
756
|
Cesar Vergara
|
243
|
8
|
Start
|
Low
|
757
|
Easy Edges
|
242
|
8
|
Stub
|
Low
|
758
|
Zuber & Cie
|
242
|
8
|
Start
|
Mid
|
759
|
Oliver Lincoln Lundquist
|
241
|
8
|
C
|
Mid
|
760
|
Martine Bedin
|
241
|
8
|
C
|
Low
|
761
|
Joseph Claude Sinel
|
240
|
8
|
Stub
|
Low
|
762
|
Helen Dryden
|
239
|
7
|
C
|
Low
|
763
|
Stuart Pugh
|
239
|
7
|
Start
|
Low
|
764
|
Design Exchange
|
238
|
7
|
Start
|
Low
|
765
|
London Design Festival
|
237
|
7
|
Start
|
Low
|
766
|
Mary Wright (designer)
|
235
|
7
|
B
|
Low
|
767
|
Jon Bannenberg
|
232
|
7
|
Stub
|
Low
|
768
|
Niels Diffrient
|
232
|
7
|
C
|
High
|
769
|
Tage Frid
|
231
|
7
|
Stub
|
Low
|
770
|
Richard Schultz
|
231
|
7
|
Unknown
|
Unknown
|
771
|
Helene Rother
|
229
|
7
|
B
|
Mid
|
772
|
Model 60 stacking stool
|
229
|
7
|
Start
|
Low
|
773
|
Ikepod
|
228
|
7
|
Start
|
Low
|
774
|
Don Chadwick
|
228
|
7
|
Start
|
Low
|
775
|
Charles Radtke
|
228
|
7
|
Stub
|
Low
|
776
|
Naoki Sakai (industrial designer)
|
228
|
7
|
Start
|
Low
|
777
|
40/4 Chair
|
228
|
7
|
Start
|
Mid
|
778
|
Fabio Taglioni
|
227
|
7
|
Stub
|
Low
|
779
|
Sonic interaction design
|
227
|
7
|
Stub
|
Low
|
780
|
Tip-top table
|
226
|
7
|
Stub
|
Unknown
|
781
|
Design Museum of Chicago
|
226
|
7
|
B
|
Low
|
782
|
Alan Peters
|
224
|
7
|
Stub
|
Low
|
783
|
UNISURF
|
224
|
7
|
Stub
|
Low
|
784
|
T. H. Robsjohn-Gibbings
|
224
|
7
|
Start
|
Low
|
785
|
Furniture screws
|
224
|
7
|
Unknown
|
Unknown
|
786
|
Alice Rawsthorn
|
222
|
7
|
C
|
Low
|
787
|
Mogul lamp
|
221
|
7
|
Unknown
|
Unknown
|
788
|
Droog (company)
|
221
|
7
|
Start
|
Low
|
789
|
Gilbert Rohde
|
221
|
7
|
Start
|
Low
|
790
|
Ton van de Ven
|
220
|
7
|
Stub
|
Low
|
791
|
Tolomeo desk lamp
|
219
|
7
|
Start
|
Low
|
792
|
Yuri Suzuki (designer)
|
218
|
7
|
C
|
Low
|
793
|
École Camondo
|
217
|
7
|
Stub
|
Low
|
794
|
John Heskett
|
217
|
7
|
Start
|
Low
|
795
|
Karlsruhe University of Arts and Design
|
216
|
7
|
C
|
Low
|
796
|
Arclinea
|
215
|
7
|
Start
|
Low
|
797
|
WorkNC
|
215
|
7
|
Stub
|
Low
|
798
|
Cifra 3
|
214
|
7
|
Start
|
Low
|
799
|
Architectural animation
|
212
|
7
|
Stub
|
Low
|
800
|
Phyllis Morris (furniture designer)
|
212
|
7
|
Stub
|
Low
|
801
|
Flexform
|
212
|
7
|
Start
|
Low
|
802
|
Ellen's Next Great Designer
|
212
|
7
|
Start
|
Low
|
803
|
Geschmacksmuster
|
210
|
7
|
Stub
|
Low
|
804
|
Green Building XML
|
210
|
7
|
Stub
|
Low
|
805
|
John Vassos
|
210
|
7
|
Start
|
Low
|
806
|
Heller, Inc.
|
209
|
6
|
C
|
Mid
|
807
|
Alexis de Sakhnoffsky
|
208
|
6
|
Start
|
Low
|
808
|
David Ogle
|
207
|
6
|
Start
|
Low
|
809
|
Diamond chair
|
207
|
6
|
Stub
|
Unknown
|
810
|
Giulio Cappellini
|
207
|
6
|
Start
|
Low
|
811
|
Industrial Designers Society of America
|
204
|
6
|
Start
|
High
|
812
|
Sphinx (home automation system)
|
204
|
6
|
Start
|
Mid
|
813
|
International Design Awards
|
203
|
6
|
Stub
|
Low
|
814
|
Win Ng
|
199
|
6
|
Start
|
Low
|
815
|
Satyendra Pakhale
|
197
|
6
|
Start
|
Low
|
816
|
Charley Morgan
|
197
|
6
|
Start
|
Low
|
817
|
François-Honoré-Georges Jacob-Desmalter
|
196
|
6
|
Start
|
Low
|
818
|
Thomas Humber
|
196
|
6
|
C
|
Low
|
819
|
École nationale supérieure des arts appliqués et des métiers d'art
|
196
|
6
|
Start
|
Low
|
820
|
Pierre Frey
|
196
|
6
|
Start
|
Unknown
|
821
|
Smart Design
|
196
|
6
|
Unknown
|
Mid
|
822
|
Nanna Ditzel
|
195
|
6
|
Stub
|
Low
|
823
|
Arflex
|
195
|
6
|
Stub
|
Low
|
824
|
Jack Pritchard
|
195
|
6
|
Stub
|
Low
|
825
|
James Irvine (designer)
|
195
|
6
|
C
|
Mid
|
826
|
Tear tape
|
195
|
6
|
Stub
|
Low
|
827
|
Jean Bérain the Elder
|
193
|
6
|
Start
|
Low
|
828
|
École Boulle
|
193
|
6
|
Stub
|
Low
|
829
|
Objet Geometries
|
193
|
6
|
Stub
|
Low
|
830
|
Chicken harvester
|
192
|
6
|
Start
|
Low
|
831
|
Swedish Centre for Architecture and Design
|
192
|
6
|
C
|
Low
|
832
|
Edward Wormley
|
190
|
6
|
Stub
|
Low
|
833
|
Pier Giacomo Castiglioni
|
189
|
6
|
C
|
Mid
|
834
|
PH Artichoke
|
188
|
6
|
Stub
|
Low
|
835
|
Nigel Coates (architect)
|
188
|
6
|
Start
|
Low
|
836
|
English furniture
|
188
|
6
|
Stub
|
Low
|
837
|
Anna Pottery
|
188
|
6
|
Stub
|
Mid
|
838
|
Dutch Design Week
|
187
|
6
|
Stub
|
Mid
|
839
|
Grete Jalk
|
187
|
6
|
Start
|
Low
|
840
|
Hanssem
|
187
|
6
|
Start
|
Low
|
841
|
A & M Karagheusian
|
186
|
6
|
Stub
|
Low
|
842
|
Ammunition Design Group
|
184
|
6
|
Start
|
Low
|
843
|
DAC-1
|
184
|
6
|
Start
|
Low
|
844
|
Design Museum Brussels
|
184
|
6
|
Start
|
Low
|
845
|
Collaborative product development
|
183
|
6
|
Start
|
Low
|
846
|
Design of plastic components
|
182
|
6
|
Unknown
|
Unknown
|
847
|
Metamorphic library steps
|
180
|
6
|
Start
|
Unknown
|
848
|
Ian Proctor
|
180
|
6
|
Stub
|
Low
|
849
|
Stehli Silks
|
180
|
6
|
C
|
Low
|
850
|
Arne Vodder
|
176
|
5
|
Stub
|
Low
|
851
|
Studio 65
|
176
|
5
|
Start
|
Mid
|
852
|
Luud Schimmelpennink
|
175
|
5
|
Start
|
Low
|
853
|
Monterey Furniture
|
175
|
5
|
Start
|
Unknown
|
854
|
James Dyson Award
|
174
|
5
|
Start
|
Low
|
855
|
Musgrave Pencil Company
|
174
|
5
|
Start
|
Unknown
|
856
|
Dunne & Raby
|
173
|
5
|
Stub
|
Low
|
857
|
ROR (design company)
|
173
|
5
|
Stub
|
Low
|
858
|
David Pye (furniture designer)
|
172
|
5
|
Stub
|
Low
|
859
|
Floor marking tape
|
172
|
5
|
Stub
|
Low
|
860
|
Ericsson Dialog
|
170
|
5
|
Start
|
Low
|
861
|
Frederick Meyer
|
170
|
5
|
Start
|
Low
|
862
|
Jack Sangster
|
170
|
5
|
Start
|
Mid
|
863
|
Design competition
|
169
|
5
|
Start
|
Unknown
|
864
|
HeeksCAD
|
169
|
5
|
Start
|
Mid
|
865
|
Sacha Lakic
|
169
|
5
|
Start
|
Unknown
|
866
|
Harley-Davidson Motorcycle Factory Building
|
169
|
5
|
B
|
Low
|
867
|
Samuel Abraham Marx
|
168
|
5
|
Stub
|
Low
|
868
|
Mundus furniture
|
167
|
5
|
Stub
|
Low
|
869
|
William Penhallow Henderson
|
167
|
5
|
Start
|
Low
|
870
|
Polypropylene stacking chair
|
167
|
5
|
Stub
|
Low
|
871
|
Ambrose Heal
|
166
|
5
|
Stub
|
Low
|
872
|
Centripetal Spring Armchair
|
166
|
5
|
Start
|
Unknown
|
873
|
Gerd A. Müller
|
166
|
5
|
Start
|
Low
|
874
|
Applicon
|
165
|
5
|
Stub
|
Low
|
875
|
Projection augmented model
|
165
|
5
|
Start
|
Low
|
876
|
Ovalia Egg Chair
|
165
|
5
|
Stub
|
Low
|
877
|
Michelotti Shellette
|
165
|
5
|
Start
|
Unknown
|
878
|
Office of the future
|
163
|
5
|
Start
|
Low
|
879
|
Olivier Mourgue
|
163
|
5
|
Stub
|
Low
|
880
|
Roger Tallon
|
163
|
5
|
Start
|
Mid
|
881
|
Claesson Koivisto Rune
|
162
|
5
|
Stub
|
Low
|
882
|
Alfonso Iannelli
|
161
|
5
|
Stub
|
Low
|
883
|
Inga Sempé
|
160
|
5
|
Start
|
Low
|
884
|
Michael Lax
|
160
|
5
|
Start
|
Unknown
|
885
|
Carl Gustav Magnusson
|
158
|
5
|
Start
|
Low
|
886
|
Bernhardt Design
|
158
|
5
|
Start
|
Low
|
887
|
Edgar Miller (artist)
|
158
|
5
|
C
|
Unknown
|
888
|
Carl Auböck
|
158
|
5
|
Start
|
Mid
|
889
|
Otto Kuhler
|
157
|
5
|
B
|
Mid
|
890
|
Isokon Long Chair
|
157
|
5
|
Unknown
|
Unknown
|
891
|
Nanny Still
|
157
|
5
|
C
|
Low
|
892
|
Kazuo Kawasaki
|
156
|
5
|
Stub
|
Low
|
893
|
Earl R. Dean
|
155
|
5
|
Start
|
Low
|
894
|
Dror Benshetrit
|
154
|
5
|
Start
|
Low
|
895
|
Sara Little Turnbull
|
154
|
5
|
Start
|
Low
|
896
|
Rover T3
|
154
|
5
|
C
|
Low
|
897
|
Integrated Computer-Aided Manufacturing
|
153
|
5
|
Start
|
Low
|
898
|
Ralph Osterhout
|
153
|
5
|
Start
|
Low
|
899
|
Wood family
|
152
|
5
|
Start
|
Low
|
900
|
Jimmyjane
|
151
|
5
|
Stub
|
Low
|
901
|
Braun LE1
|
150
|
5
|
Stub
|
Low
|
902
|
Britain Can Make It
|
150
|
5
|
Start
|
Low
|
903
|
Fabio Filippini
|
149
|
4
|
C
|
Low
|
904
|
Charles-Honoré Lannuier
|
148
|
4
|
Start
|
Low
|
905
|
Angelo Mangiarotti
|
148
|
4
|
Start
|
Low
|
906
|
Corin Mellor
|
148
|
4
|
Unknown
|
Unknown
|
907
|
Jacques Adnet
|
147
|
4
|
Stub
|
Low
|
908
|
Grant Featherston
|
147
|
4
|
Start
|
Low
|
909
|
Feature recognition
|
146
|
4
|
Stub
|
Low
|
910
|
Gianfranco Frattini
|
146
|
4
|
C
|
Mid
|
911
|
Grand Prix (chair)
|
146
|
4
|
Stub
|
Low
|
912
|
Experiential interior design
|
146
|
4
|
Start
|
Mid
|
913
|
Design Museum Holon
|
146
|
4
|
Stub
|
Low
|
914
|
Charles "Chuck" Harrison
|
145
|
4
|
C
|
Low
|
915
|
Tucker Viemeister
|
145
|
4
|
Stub
|
Low
|
916
|
Inflatable air cushion
|
145
|
4
|
Unknown
|
Unknown
|
917
|
Claus en Kaan Architecten
|
145
|
4
|
Start
|
Low
|
918
|
Betty Thatcher Oros
|
145
|
4
|
Start
|
Mid
|
919
|
Garden Egg chair
|
144
|
4
|
Stub
|
Low
|
920
|
Jay Doblin
|
144
|
4
|
Stub
|
Unknown
|
921
|
Maria Pergay
|
144
|
4
|
Stub
|
Unknown
|
922
|
Roger C. Field
|
143
|
4
|
Stub
|
Low
|
923
|
Pierre Debeaux
|
143
|
4
|
C
|
Unknown
|
924
|
1970s in furniture
|
142
|
4
|
Stub
|
Low
|
925
|
Weissenhof chair
|
142
|
4
|
Stub
|
Mid
|
926
|
Bernadotte & Kylberg
|
141
|
4
|
Unknown
|
Unknown
|
927
|
Zeev Aram
|
141
|
4
|
Start
|
Low
|
928
|
Helena Tynell
|
141
|
4
|
B
|
Unknown
|
929
|
Color Marketing Group
|
140
|
4
|
Stub
|
Low
|
930
|
David Caon
|
140
|
4
|
C
|
Low
|
931
|
Ravi Sawhney
|
139
|
4
|
Stub
|
Low
|
932
|
Nondestructive Evaluation 4.0
|
139
|
4
|
C
|
Unknown
|
933
|
Röhsska Museum
|
138
|
4
|
Start
|
Low
|
934
|
Sustainable furniture design
|
138
|
4
|
Stub
|
Unknown
|
935
|
Allen Boothroyd
|
136
|
4
|
Stub
|
Low
|
936
|
Matali Crasset
|
136
|
4
|
Start
|
Low
|
937
|
Wilkhahn
|
135
|
4
|
Start
|
Low
|
938
|
Charles Limbert
|
135
|
4
|
Start
|
Low
|
939
|
Jonathan Olivares
|
135
|
4
|
Start
|
Unknown
|
940
|
Cutaway (industrial)
|
134
|
4
|
Stub
|
Low
|
941
|
Jerome and Evelyn Ackerman
|
134
|
4
|
C
|
Mid
|
942
|
Astro Studios
|
134
|
4
|
Stub
|
Unknown
|
943
|
Core77
|
132
|
4
|
Stub
|
Low
|
944
|
Plant lifecycle management
|
132
|
4
|
Stub
|
Low
|
945
|
Christian Dell
|
131
|
4
|
Stub
|
Low
|
946
|
Henry P. Glass
|
131
|
4
|
Stub
|
Low
|
947
|
111 Navy Chair
|
131
|
4
|
Start
|
Low
|
948
|
John Saladino
|
131
|
4
|
Start
|
Low
|
949
|
Marc Harrison
|
130
|
4
|
Start
|
Low
|
950
|
Barnsley brothers
|
130
|
4
|
Start
|
Low
|
951
|
Virtual product development
|
130
|
4
|
Unknown
|
Unknown
|
952
|
Tony Chambers
|
130
|
4
|
C
|
Low
|
953
|
IKEA Lack
|
129
|
4
|
Stub
|
Low
|
954
|
Rex (chair)
|
128
|
4
|
Stub
|
Low
|
955
|
Madia (furniture)
|
128
|
4
|
Stub
|
Unknown
|
956
|
Jean-Marie Massaud
|
128
|
4
|
C
|
Low
|
957
|
Jean Puiforcat
|
128
|
4
|
Start
|
Mid
|
958
|
Douglas Darden
|
128
|
4
|
B
|
Unknown
|
959
|
Ignazio Gardella
|
127
|
4
|
C
|
Mid
|
960
|
Fabio Novembre
|
127
|
4
|
Stub
|
Low
|
961
|
Tord Boontje
|
126
|
4
|
Stub
|
Low
|
962
|
Goddard and Townsend
|
125
|
4
|
Start
|
Low
|
963
|
Desk and bench
|
124
|
4
|
Unknown
|
Unknown
|
964
|
GenerativeComponents
|
124
|
4
|
Stub
|
Low
|
965
|
Pin-Up (magazine)
|
124
|
4
|
Start
|
Low
|
966
|
Wim Rietveld
|
124
|
4
|
Unknown
|
Unknown
|
967
|
Charles Stendig
|
124
|
4
|
Start
|
Mid
|
968
|
Maria Cristina Didero
|
124
|
4
|
C
|
Low
|
969
|
List of STEP (ISO 10303) parts
|
123
|
4
|
List
|
Mid
|
970
|
Imm Cologne
|
123
|
4
|
Start
|
Mid
|
971
|
Pulsonix
|
123
|
4
|
Start
|
Unknown
|
972
|
Hille (furniture)
|
123
|
4
|
Start
|
Mid
|
973
|
Bachelor of Industrial Design
|
122
|
4
|
Stub
|
Low
|
974
|
Powder coating on glass
|
122
|
4
|
Start
|
Unknown
|
975
|
Gettysburg furniture companies
|
120
|
4
|
Start
|
Low
|
976
|
Sam Hecht
|
120
|
4
|
Stub
|
Low
|
977
|
RKS Design
|
120
|
4
|
Stub
|
Unknown
|
978
|
Bergen Academy of Art and Design
|
119
|
3
|
Stub
|
Low
|
979
|
Philippe Charbonneaux
|
118
|
3
|
Start
|
Low
|
980
|
Ole Wanscher
|
118
|
3
|
Stub
|
Low
|
981
|
CAD/CAM in the footwear industry
|
117
|
3
|
Stub
|
Low
|
982
|
Charles Catteau
|
117
|
3
|
Stub
|
Low
|
983
|
Sebastian Bergne
|
117
|
3
|
Start
|
Unknown
|
984
|
Frank Tjepkema
|
117
|
3
|
C
|
Low
|
985
|
Horia Creangă
|
116
|
3
|
Start
|
Low
|
986
|
Phaidon Design Classics
|
116
|
3
|
Stub
|
Unknown
|
987
|
Julia Lohmann
|
114
|
3
|
Stub
|
High
|
988
|
Ron Rezek
|
114
|
3
|
Stub
|
Low
|
989
|
Horn furniture
|
114
|
3
|
Stub
|
Low
|
990
|
Davison Design & Development
|
113
|
3
|
Start
|
Low
|
991
|
Arturo Vittori
|
112
|
3
|
Stub
|
Low
|
992
|
George W. Walker
|
111
|
3
|
Stub
|
Low
|
993
|
Jerry Manock
|
110
|
3
|
B
|
Low
|
994
|
Visitability
|
110
|
3
|
Start
|
Low
|
995
|
Industrial design rights in the European Union
|
110
|
3
|
Start
|
Mid
|
996
|
Brand implementation
|
110
|
3
|
Start
|
Low
|
997
|
E-Lab
|
110
|
3
|
Unknown
|
Unknown
|
998
|
Sirius Stiletto
|
109
|
3
|
Start
|
Low
|
999
|
Furniture Today
|
109
|
3
|
Stub
|
Low
|
1000
|
Computer-aided production engineering
|
108
|
3
|
Stub
|
Low
|